Toutes peintures à l'huile d'Gerard Dou

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92099

A Poulterer's Shop

1670(1670) Medium oil on oak panel Dimensions 58 X 46 cm (22.8 X 18.1 in) cyf

90549

Eine Katze am Fenster eines Malerateliers

1657(1657) Medium : oil on canvas cjr

53824

Eremiten

mk234 1670 46x34cm

89120

Officer of the Marksman Society in Leiden

1630(1630) Medium oil on oak cyf

91146

Officer of the Marksman Society in Leiden

1630(1630) Medium oil on oak wood cyf

39682

Old woman at her window,Watering flower

mk150 c.1660/65 28.3x22.8cm

92475

Old Woman Cutting Bread

c. 1655(1655) Medium oil on panel Dimensions 28 X 22 cm (11 X 8.7 in) cjr

89116

Old Woman Watering Flowers

between 1660(1660) and 1665(1665) Medium oil on wood cyf

89117

Old Woman with a Candle

1661(1661) Medium oil on oak cyf

89255

Painter in his Studio

1647(1647) Medium oil on oak cyf

72351

Portrait of an old woman reading

Old woman reading a lectionary: the so-called portrait of Rembrandt's mother, Neeltgen Willemsdr van Zuijdtbroeck (d 1640). ca. 1630 (1630-1639) Oil on panel 71 X 55.5 cm (27.95 X 21.85 in) cjr

67325

portratt av rembrandts mor

1631 se

89119

Reading the Bible

1645(1645) Medium oil on wood cyf

26806

Self-Portrait

mk52 1655 Oil on wood 48x37cm Rijksmuseum,Amsterdam

92687

Self-portrait

185 x 140 mm (7 1/8 x 5 1/2"). 1635 cjr

89115

self-portrait with a Palette

between 1660(1660) and 1665(1665) Medium oil on wood cyf

21781

The Dropsical Lady (mk08)

C.1663 Oil on panel 86x67cm Paris,Musee National du Louvre

20610

The Dropsical Woman (mk05)

Wood 34 x 27''(86 x 68 cm)Signed and dated 1663 with a claim that the painter was sixty-five years old;he was in fact fifty From the Royal Gallery of Turin;given by Charles-Emmanuel IV to General Clauzel Who forwarded it to the Luvre in 1799

89121

The Grocer's Shop

1647(1647) Medium oil on wood cyf

92477

The Night School.

c. 1660-1665 Medium oil on panel Dimensions Height: 53 cm (20.9 in). Width: 40.3 cm (15.9 in). cjr

89258

The Prayer of the Spinner

second half of 17th century Medium oil on wood cyf

92505

The young mother

1658(1658) Medium oil on panel Dimensions Height: 74 cm (29.1 in). Width: 56 cm (22 in). cjr

89114

Trumpet-Player in front of a Banquet

between 1660(1660) and 1665(1665) Medium oil on wood cyf

90046

Woman Peeling Carrot

second half of 17th century Medium oil on panel Dimensions Height: 57.2 cm (22.5 in). Width: 43.3 cm (17 in). cyf

89118

Woman Pouring Water into a Jar

1640s Medium oil on wood cyf

74473

Young Woman in a Black Veil

c. 1660 Oil on canvas 14.5 x 11.7 cm cjr

Gerard Dou

Leiden 1613-1675 was a Dutch Golden Age painter, whose small, highly-polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his trompe l'oeil "niche" paintings and candlelit night-scenes with strong chiaroscuro. His first instructor in drawing and design was Bartholomew Dolendo, an engraver; and he afterwards learned the art of glass-painting under Peter Kouwhoorn. At the age of 15 he became a pupil of Rembrandt, with whom he continued for three years. From the great master of the Dutch school he acquired his skill in coloring, and in the more subtle effects of chiaroscuro; and the style of Rembrandt is reflected in several of his earlier pictures, notably in a portrait of himself at the age of 22, in the Bridge-water House gallery, and in the "Blind Tobit going to meet his Son", at Wardour Castle. At a comparatively early point in his career, however, he had formed a manner of his own distinct from, and indeed in some respects antagonistic to, that of his master. Gifted with unusual clearness of vision and precision of manipulation, he cultivated a minute and elaborate style of treatment; and probably few painters ever spent more time and pains on all the details of their pictures down to the most trivial. He is said to have spent five days in painting a hand; and his work was so fine that he found it necessary to manufacture his own brushes. Notwithstanding the minuteness of his touch, however, the general effect was harmonious and free from stiffness, and his color was always admirably fresh and transparent. He was fond of representing subjects in lantern or candle light, the effects of which he reproduced with a fidelity and skill which no other master has equaled. He frequently painted by the aid of a concave mirror, and to obtain exactness looked at his subject through a frame crossed with squares of silk thread. His practice as a portrait painter, which was at first considerable, gradually declined, sitters being unwilling to give him the time that he deemed necessary. His pictures were always small in size, and represented chiefly subjects in still life. Upwards of 200 are attributed to him, and specimens are to be found in most of the great public collections of Europe. His chef-d'oeuvre is generally considered to be The dropsical woman, 1663, and The Dutch Housewife, 1650, both in the Louvre. The Evening School, in the Amsterdam Rijksmuseum, is the best example of the candlelight scenes in which he excelled. In the National Gallery, London, favorable specimens are to be seen in the Poulterer's Shop,

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